For the stories worth telling.
Business & Leadership Books

Turn professional experience into a book with something useful to say.

A business book works best when it helps a specific reader understand a problem, make a decision, or improve a practice. We help organize your experience and ideas into a manuscript that has a clear purpose beyond promoting your services.

6 minute read   ·   15 detailed sections

Business & Leadership Books editorial image
Your book. A clear next step.Writing · Editing · Design · Publishing
01

Define the reader's problem

We begin with the reader: their responsibilities, existing knowledge, and reasons for picking up the book. That focus helps determine what belongs in the manuscript and what is better saved for a presentation, article, or separate project.

02

Develop the substance

Interviews can uncover the reasoning behind your approach, examples from your work, and the limitations of your advice. Existing presentations, training material, articles, and frameworks can provide a starting point. Confidential client details require permission or appropriate anonymization.

03

Make each chapter earn its place

A chapter should develop an idea through explanation, evidence, and practical application. We can organize case examples, exercises, or reflection questions where they help the reader. The proposal states whether independent research, citations, or interviews with others are included.

04

What you receive

A positioning brief, chapter outline, agreed source review, manuscript drafts, revision stages, and final editable files. Promotional materials, speaking pitches, and publication support can be quoted separately.

Editorial photograph accompanying Business & Leadership Books
A project built around your book

Clarity before you commit.
Collaboration as it develops.

Define the work, the review points, and what you will receive.

Understand our process
05

Questions authors ask

Will the book generate clients?

A book can support your wider professional activity, but commissions, speaking invitations, and sales are not guaranteed.

Can you invent case studies?

Hypothetical teaching examples must be clearly identified as hypothetical. They must not be presented as real clients or real results.

06

Start with the right question

A business book should do more than reproduce presentations or promote a company. It needs a useful argument for a specific reader. Clarify the challenge your reader faces, the approach you recommend, and the experience or evidence that supports it.

Before discussing a schedule or a quote, describe the intended reader, what already exists and what you want to be different at the end. That short explanation helps separate the central task from work that may be useful later. A relevant excerpt, outline or file can make the conversation more concrete than a broad description alone.

07

Decisions that shape this work

Map the central framework before collecting every available example. Each chapter should advance the argument through explanation, a practical illustration, and an action or question for the reader. Avoid naming a method before explaining what it changes in practice.

Record those decisions in a brief that can be revisited. Include examples of the direction you prefer and explain why they are relevant. If several people will review the project, agree who consolidates their comments and who makes the final decision. Conflicting instructions are easier to resolve before a full draft or design is produced.

08

What to include in the brief

  • The working title, subject and intended audience.
  • The current version of the material and its approximate size.
  • The result you want this stage to produce.
  • Relevant references, examples and any established style preferences.
  • A deadline, if one exists, and the reason behind it.
  • The person responsible for approvals and consolidated feedback.

Explain any constraints early. These may include material that must remain unchanged, documents still being gathered, another contributor’s schedule or a planned release window. A proposal is more useful when it reflects those dependencies instead of assuming that every input is ready on day one.

Already have a manuscript?

Tell us what you have, what is working, and where you would like support. We can discuss the most relevant next step.

Talk About Your Book
09

Deliverables to discuss

The exact handover should be listed in the written scope. For this area, useful items to discuss include:

  • A reader and positioning brief.
  • A framework-led outline.
  • Case-study interview plans.
  • An editable business manuscript.

Confirm the file format, number of versions and whether editable working files are included. Ask what supporting notes accompany the main deliverable and how unresolved questions are recorded. An initial sample, an in-progress draft and a final approved file are different milestones; each should have a clear purpose.

10

A practical sequence

1. Discover the book. Review the material and identify what is ready, what is missing and which decisions affect the next stage. Confirm the intended audience and the specific result before committing to a detailed approach.

2. Develop the structure. Put the proposed work into a clear sequence. Identify the first approval point, the material needed from the author and the deliverables for that stage. Resolve questions that could otherwise affect the whole project.

3. Draft and calibrate. Carry out the agreed work in a manageable version. Share questions while they are still useful, and keep comments attached to the relevant passage, page or asset. Use the brief to judge changes consistently.

4. Review and hand over. Consolidate the agreed decisions and check the final version against the scope. Record any remaining tasks, distinguish approved files from earlier drafts and explain what the next contributor or platform will need.

11

How to review the work

Check that case studies illustrate the principle without claiming causation that the evidence cannot support. Confirm the status of client names, quotations, numbers and confidential commercial information. Your reviewer should distinguish personal experience from research findings and forecasts.

Use one consolidated response for each agreed review round. Quote the passage, identify the page or name the file so the issue can be located. Explain the reason for a requested change where it affects the direction. Keep corrections, questions and new requests distinct; this makes it easier to understand which changes fit the original brief.

12

What can change the timeline or fee

The size of the material is only one factor. Complexity, readiness, the number of contributors and the amount of new work can all affect the scope. A short but technically complicated project may need more preparation than a longer straightforward one.

A schedule should also account for your review time. If essential material arrives late, or if the direction changes after approval, subsequent milestones may need adjustment. Ask how those changes will be documented before work begins. The project proposal should identify service fees and separately charged expenses rather than leaving them implicit.

13

Scope boundaries worth clarifying

Business interviews, data verification, illustration of proprietary frameworks and rights to company materials should be agreed separately. Publishing a book does not itself establish expertise or guarantee leads, speaking engagements or revenue.

Before commissioning, ask what happens if further work becomes necessary. A useful change process describes the additional task, its effect on cost and timing, and the approval needed to proceed. This protects the purpose of the current stage while allowing the project to develop when there is a good reason.

14

Questions to ask before you begin

What do you need from me first?

Start with the current material, a short description of the reader and the result you want. Identify missing inputs and fixed deadlines so the proposed scope is based on the actual starting point.

Can this be commissioned on its own?

Discuss the specific stage you need. Related work should be identified separately, including any prerequisite that must be completed before this stage is useful.

How are revisions handled?

Ask for the number and nature of review rounds, what counts as a correction and how a change to the original brief is priced. Do not assume unlimited rewriting or redesign.

What will I receive at completion?

Confirm the agreed deliverables and formats in writing. Ask whether the handover includes editable files, notes, a clean version, a marked version or other supporting material relevant to the project.

15

Prepare for a useful first conversation

You do not need a polished presentation to explain your project. A working title, a paragraph about the book, the current word count if known and an honest description of the sticking point are enough to begin. If you already have a proposal from another provider, compare the defined tasks rather than assuming similar labels mean identical work.

Bring your priorities in order. Tell us what must be resolved now, what can wait and which decisions you want help making. The aim of the first conversation is a relevant next step and a clear understanding of the work—not a promise about outcomes no provider can control.

Let’s find your next step

You do not need a finished manuscript
to start a useful conversation.

A short description of your book is enough to begin. Tell us what you want to create and where you need support.

Tell Us About Your Book